#Toony colors pro maya free#

One benefit of this shader was the separate controls for each part of the eye.

They employed the Toony Colors Pro 2 shader from the Unity Asset Store. Separate controls for each part of the eye helped achieve the high-end look “Eyes are an important feature when it comes to filmmaking – this is how we connect with our character,” says Sara. Particular focus was placed on the characters’ eyes, which can so often make or break the look of the art style. Led by CG supervisor Farhez Rayani, the team set out to achieve that high-end animation look. Soba quickly got to work identifying the tools they’d need to build their story. Their solution? Create the pipeline in Unity, leveraging its real-time rendering capabilities to achieve the desired graphical quality in half the time, and at half the cost, without needing a render farm.īut could this new pipeline give them the feature-film look they were striving for, yet with a crew new to Unity? Concept art of Finn by artist Yu Chin Tien Their biggest challenge? Achieve the quality that Sara and Neth were accustomed to at their major-studio jobs, yet produce it with an indie budget and pipeline. Concept art of the two main characters, Natalie and Finn, by artist Julia Blattman We also wanted to innovate with our production process,” says Neth. “We wanted a distinct look for the film, combining the familiarity of 2D animation with the richness of fully realized 3D environments. The team’s goal was to create a compelling 10-plus minute film that would be screened at festivals around the globe. The group calls itself Soba Productions, and many of the crew members didn’t actually meet in person until Sonder’s wrap party in Berkeley, California in spring 2018.Ī charming yet dark fantasy about falling in love, heartbreak and loss, Sonder is like a two-genre marriage of Eternal Sunshine of the Spotless Mind, a sci-fi drama, and Princess Mononoke, an animated epic. Yee Sum Hoi managed creative departments from Malaysia, Ruby Han helped with layout and set dressing from Japan, Sunny Tien supervised art from Taiwan, and Jean Moreno, their lighting & shading tools lead, did his magic from France.

Starting in 2015, they engaged an equal number of male and female artists from far-flung locations. Many of the crew members met each other for the first time at the event.Īnd a huge part of their creative journey was assembling a highly talented team to assist them.

#Toony colors pro maya free#

Several years ago, when Neth conceived the idea for a story about a young man struggling with the end of a relationship, these two busy industry professionals committed much of their free evening and weekend time to bring his story to life. Sampson, Producer, and Neth Nom, Writer-Director